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Show Info

Maggie Rose

Drusky Entertainment Presents

Maggie Rose

Frank Vieira, Stampede

Thu, April 19, 2018

Doors: 7:30 pm / Show: 8:00 pm

Hard Rock Cafe Pittsburgh

Pittsburgh, PA

$17.00 - $20.00

Maggie Rose
Maggie Rose
Cool and confident, yet warm and approachable with a laugh that’s as melodic as the songs she sings, it’s difficult to look at Maggie Rose and not think that she was born under a very special star. And maybe she was. How else can you explain her journey from Potomac, Maryland—hardly a mecca for country music—to Nashville by way of storied record executive Tommy Mottola (Celine Dion, Mariah Carey)?

Mottola wasn’t a friend, or even a family friend. More like a friend of a friend of a friend. But Maggie’s biggest supporter and business partner, Tom Natelli, who had encouraged and nurtured the young songbird’s talent early on, had the chutzpah to ask around until he found someone who knew someone, who knew someone, who lived next door to Tommy. The music executive was impressed enough to encourage Maggie to pursue her music, but since country wasn’t his forte, he equipped the aspiring star with a handful of contacts and enough information to make her way to Nashville. It didn’t take any persuading though. Singing was her dream. She stepped away from Clemson University, where she performed with a Bruce Springsteen cover band, and into her career with encouragement of her parents and Natelli.

Tommy may have knocked on doors, specifically producer James Stroud’s (Willie Nelson, Chris Young, Tim McGraw), but Maggie kicked them down all by herself. And despite the connection to Mottola and the rock cover band experience, she kicked them down country
style. Country by choice.

Maggie explains that in her home, she was exposed to an array of musical offerings: “My mom loved certain artists and I think the people she actually played are clearly influences of mine. She loved Bonnie Raitt, Tracy Chapman. She loved the Beatles, which everyone loves the Beatles, but their sense of melody is so strong. And I loved Dixie Chicks. There was a really good mix of music. The fact that I gravitated toward country when there were so many other options shows that’s where I belong. Because it’s not like that’s all I was exposed to, that’s what I wanted to listen to.”

Why? The singer-songwriter smiles and simply says, “You can hear the story.” It’s that mindset and a healthy dose of diligence that kept Maggie in Nashville since the age of 19. Starry-eyed and a bit naïve, her first run at commercial success positioned her as a voice to be heard and gave her a foothold in Music City, but the songs weren’t quite what she needed. Even she admits, “I just wasn’t ready. I think that was the only difference between then and now is that I’m just ready. In fact, I’m chomping at the bit to get this album out. And before, I wasn’t excited about what I had to share yet. I was excited about being able to sing and do what I love, but I wasn’t totally connected to a body of work. I had singles here and there, but that doesn’t make an artist. I wanted to do something that people could latch on to, and I wanted to start a conversation with my music that people could be a part of.”

With iconic country music producers Blake Chancey and James Stroud at the helm, Maggie starts the conversation on Cut To Impress by writing almost half of the songs on the album. The remaining cuts are tunes that she has been performing for the past five years—songs that not only survived her evolution from the young girl, Margaret, to the young woman,
Maggie, but became part of her musical make-up.

And they are KILLER tracks. Killer. Yes, there’s a body count on this album. From the flirtatious “Fall Madly In Love With You,” to the musical mini-movie “Looking Back Now,” Maggie shows she has a bit of a dark side, but she doesn’t dwell on it because she has sass, too. From the opening swampy, gospel-tinted track, “Preacher’s Daughter,” to the debut single, “I Ain’t Your Mama,” she reveals a delightful blend of feminine attitude that will empower her female fans and bring the boys to their knees with desire.

It isn’t all serious though. Humor is a tricky maneuver for any recording artist, but in the tongue-in-cheek “Hollywood,” Maggie is guaranteed to capture a grin, giggle or guffaw with clever lyrics like, “Tiny dogs in little bitty purses, cosmos everybody nurses, they get as trashed as we do…”

But give the girl a chance to wail, like she does in “Put Yourself in My Blues,” or the beseeching second single, “Better,” and that’s when you realize what she’s had all along. That’s when you see what brought her to Nashville. Songwriting can be learned, but to be able to convey a heartbreak, to sing a tear, that is a gift. And Maggie’s voice can soar without overpowering the listener. She’s not singing at you, she’s singing to you. She’s making that connection that she so desperately wants to make.

Maggie is committed to this career. Much like her very successful contemporaries, there was never a Plan B. “It even scares me to think about it,” she shudders. “I was lucky and crazy enough to make the move at a pretty young age, so before any serious decision making had to be done—is it this or this?” Even with the disappointments that face any new artist— promises broken, faith rattled, hopes shattered, dreams dashed—Maggie persevered. And she sees now where her experiences hold the promise of longevity. “If I’ve learned this much in five years, 20 years down the road, I’m going to be dangerous. So, I think that music
will always be part of my life.”

It’s Maggie’s turn now. Meticulously choosing her album title from a song she co-penned, “Mostly Bad,” is the best representation of where the ingénue is at both musically and emotionally. “That one is a really playful, fun song. ‘Cut to impress’ is a line from the second verse and it jumped out to me because it represents so much about this album. It’s a really confident statement about all the album cuts—play on words. But it’s also that I’ve finally cut out a place for myself as an artist that is unique and real.”

A little good, a little bad, a lot confident and very much intentional. That’s her word. Maggie says, “That has been my keyword for this whole process, ‘intentional.’ I think that everything I do as an artist now should be with a purpose. I think that the way I write should be with intent behind it. It can serve different purposes, but make sure that every
word written is intentional.”
Frank Vieira
Frank Vieira
It's hard to tell whether Frank Vieira found country music, or whether country found him, but there's no denying it's a perfect fit.

Born on Valentine's Day, 1990, in Schenectady, N.Y., Frank has put his heart into everything he's ever done.

As he climbs his way up the country music ladder, you can hear the passion in his voice and see it in his face when he performs, from the heartfelt, "Son," to the everyman anthem, "Beer Leaguer."

In the end, Frank says, the lyrics are everything. And even though he's only 21, he has crafted more than 100 songs, released his first album -- "Over, Over You" -- in 2010, and become a regular at music venues around Pittsburgh and Vestal, N.Y., his hometown.

His accomplishments include performances at the Broome County Veterans Memorial Arena, Faded Fest, Rock United 9, Cyber Cafe West, a noted Binghamton launching pad for up-and-coming artists, and a host of other establishments and benefits.

Maybe everyone should have seen this passion for country music coming, since Frank's perfect day has always included a fishing pole and a squirming bass. But for 18 years, that passion took a backseat to different dreams. Since his first years of grade school, he played competitive football, hockey and baseball -- sports that would carry him through high school. Before he picked up his first guitar, he was a promising young quarterback and a hockey player who would go on to be a three-time high school all-star and play a year at the junior level.

However, senior year at Vestal High School -- and one class -- started to change everything. Kevin LaDue's guitar-making course was just too cool to pass up. Frank loved the idea of building his own guitar, piece-by-piece, one class session at a time. This wasn't a kit, this was hand craftsmanship right down to the finish, carefully monitored by LaDue, who had conducted this class for years. And by spring, Frank -- and each of his classmates -- had built an honest-to-goodness acoustic guitar, one that couldn't have sounded more perfect.

Frank describes it this way: “A little left of center,” would describe my path into music. I grew up with no interest, no desire, to ever do anything musically, until my senior year In high school, where we were offered an elective to build an acoustic guitar .... I took the class, fell in love with the guitar, and haven't put it down since.

"It may be odd to think a country singer could come from New York, and people always ask why I play the kind of music I do. I say, 'why not?' It's about the lyrics and about the feeling you get knowing that someone relates to exactly what you're saying that makes country music special. ... My music is patterned after my favorite artists, Eric Church, Dierks Bentley, Gary Allan, and Brad Paisley.

"My goal is to write songs that people can relate to. Songs that you listen to and say 'Hey I've been there before' or 'That happened to me.'"

At some point, he says, you'll find him in Nashville. And why not? His music idol, Eric Church, has already given him the inspiration. Like Eric, Frank thanks God he ain't what he almost was.
Venue Information:
Hard Rock Cafe Pittsburgh
230 W. Station Square Drive
Pittsburgh, PA, 15224
http://www.hardrock.com/pittsburgh